Interior of Bradford Cathedral
These three sketches
are studies that I drew from the interior of Bradford Cathedral. Using a black
conte crayon I drew these quick 10-minute sketches to show the cathedral in all
angles.
Sketch 1:
Focusing on the roof
of the cathedral I was able to pick out the colour of the wooden beams using dark tonal
shading as these beams were black and the darkest object in the drawing. The
natural sunlight from the windows brightens up the roof and the surrounding
walls making the beams stand out even more with the light to dark contrast.
This scene is framed
by an archway with gives a foreshortening view down to the bottom end of the
cathedral and the orthogonal lines from the bottom part of the roof where the
beams start and the top peak of the roof where the beams join together lead
your eyes right down the cathedral roof where the vanishing point ends.
Sketch 2:
This whole drawing is
framed by the archways and giant pillars that decorate the cathedral interior.
Focusing on what these frame I drew what was in the centre isle of the
cathedral. There is a lot in this drawing with a front layer, middle layer and
background.
The front layer is
what frames this whole image and leads your eye into the detail of the centre
part of this drawing. In the middle layer of this sketch I have drawn the left
hand side of the cathedral wall, which shows the roof beams, windows and
archways. The archways on the left hand side of the wall and the archways that
frame this drawing are the same size however; from the foreshortening angle
these archways appear to be increasingly smaller setting a realistic tone to
this drawing.
There is an implied
line in this drawing which starts from the bottom right hand side of the left
pillar and leads your eye straight onto the middle beam and across to the other
side of the right pillar. There is also another implied line as your eye is
taken from the left pillar right over the arch and to the right pillar.
The background of this
drawing is what is behind the middle layers archways. Like the front layers
archways these archways also frame the back layer and is like a mirror as the
archways continue to frame another image but continuously getting smaller
Sketch 3:
This was a much darker
area of the cathedral with no windows around to let in the natural light, which
makes very little contrast from shaded areas to lighter areas.
The main focal point
in this drawing is the very dark roof as there was very little natural light. Making
the wooden beams look even darker against the very dark roof. Your eye is also led through the centre
archway where half of the area within it is covered by a very dark curtain.
With this very dark focal point it makes this drawing look very gothic and
gives the feeling of a cathedral as you expect them to be usually quite dark.
Your eye is also led to the right hand corner where the two walls and roof join
together. With the dark beam centralising this point it makes for a very focal
point as the eye is drawn to this area.
These drawing where
quick sketches I drew to pick out the shape and form of the cathedrals
interior. Without going into great detail it is still clear to see what these
drawings are as I have used a contrast of shading tones to pick out the main
details with these drawings.
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