Week 10 - Figure Drawing with Tone and Colour in Skin

Figure Drawing with Tone and Colour, One

This is a 40-minute drawing using coloured pastels. The colours within this drawing work really well and blend in well together. A variety of different colours have been used to replicate the colours within the skin. There are very warm colours around the torso areas where the figures posture is very closed and very cold colours around the legs and knees where the figures posture is very open. This creates great detail and tonal value within this drawing and although it wouldn’t be thought that these colours would appears in the skin they work very well together.

There is great detail within the figures knees which sense of force of gravity as it is clear to see the leg on the right is taking a lot of the weight with the position of this leg being a lot lower compared to the leg on the left. There have been a great contrast of colours used around the figures legs and knees, which make them, really stand out with the cold blue colours and the really highlighted areas on the tops of the knees.

The proportions of this figure look relatively accurate apart from the figures head. The body and should seem to be a lot larger in proportion to the figures face and with greater measuring to make this more accurate would have really helped to improve upon this drawing.

Figure Drawing with Tone and Colour

This is a 30-minute drawing using coloured pastels. The soft use of colours within this drawing really stand out and make the skin on this figure look really smooth as they have been softly blended in to one another. The colours used in this drawing are very warm using a lot of pinks and yellows. With greens and blues used for the colder parts of the drawing. The darkest browns used to create the darkest shadows within the figures body have also been used in the green drapered cloth to help blend these two features together and help with the contrast of colours.

There is a great sense of proportion and foreshortening used in this drawing which really helps to make this drawing stand out as the body is elongated from one side of the page to the other helping the viewers eye to go back and forth from one end of the figures body to the other.

To help improve upon this drawing a background could have been used to have a sense of gravity and not a body floating in mid air. It would also have helped ground this figure in and set a scene to where this drawing has been drawn.

Week 9 - Figure Drawing with Gravity and Drapery on the Human Form

Figure Drawing with Gravity and Drapery, One

This is a 10-minute drawing using a black conte crayon and a white chalk on a pink sugar papered background. There is a sense of strong light, which is shining from behind the figure highlighting strong areas onto the figures face and the clothed drapery. The chalk acts as the highlighter creating great detail within the figures face, which helps pick out the facial features giving this drawing a more emotional feeling as the figures facial expressions appear to be sad.

There is good sense of form within the top half of the drawing however, the proportions for the lower half of the body seem to be a lot smaller than what is naturally there, which creates an unintended focal point. Rather than the viewer looking at the contrast of shadows and highlights the eye is led towards the wrongly measured part of the drawing, which is also sat on a table that doesn’t look quite accurate. The table seems to be leaning to one side and there should have been less table shown where the figure was sitting on it.

With more accurate measuring and a contrast of darker shadows this drawing could have worked very well. There is a good sense of detail within the figures face, which makes this drawing really stand out.

Figure Drawing with Gravity and Drapery, Two

This is a 15-minute drawing using a black conte crayon and a white chalk on a yellow sugar papered background. The proportions of this figure work really well and appear to be really accurate. The hands and feet show good form and is clear to see the direction in which they are facing. The figures legs have been crossed over but cannot be seen as the clothed drapery is covering this however; this can be seen with the twist of the legs pointing the feet in different directions.

The contrast of dark shadows and highlights seem a bit confusing in this drawing. There is good contrast of the figures face, which shows details of the facial features however, the shadows and highlighted areas, seem to get lost within the drapery and is unclear to see where any of form lye’s within this. The shadows and highlights seem to overlap one another with very little middle tonal value. Creating a great contrast from one to the other would have really helped this drawing to stand out. Also creating some shadows within the white sheet the figure is laying on would also help bring the detail out and not make it look like just a really highlighted area within the drawing.

Figure Drawing with Gravity and Drapery, Three

This is a 30-minute drawing using a graphite stick and soft coloured pastels. The main focal point within this drawing is the drapered cloth covering half of the figures body. This is because of the rich contrast of colours, which have been used. Lighter colours have been used for the highlighted areas within this piece of drapery and darker colours have been used to create the shadows created by the folds and overlapping material. The idea behind using coloured pastels with contrast to the graphite stick was to make this drawing stand out more. This drawing does stand out but takes the viewer away from any detail within the figure and leads the eye to where this entire colour is.

More practice is needed to get this style correct as it could be mistaken for simply a big blob of colour that looks like it could be there by accident. The idea was to help blend all these colours together and have great contrast against the grey tonal colours of the figures body. However, the drapery creates too much of a focal point and leads the eye away from what was important in this drawing which was the human figure.

The idea behind this may have worked better with slightly different colours or a different style creating this piece of drapery. There should have been more detail within the figure and less on the piece of drapery, which would have made this drawing work a lot better.